Berger/ Frivol Ensemble - Tea for TwoLondon and Paris in the late 19th and early 20th centuries shared an artistic vitality that set them apart from the rest of the world. With Parisian society regularly gripped by periods of Anglomania, a constant process of cultural exchange resulted in operetta hits, wartime classics and popular songs both bawdy and elegant. Capturing the spirit of a period ranging from the fashionable d'Oyly Carte to 1920s American Jazz, the Frivol'Ensemble takes us

producer of legendary bands such as "The Smithereens" and "REM" and writer of the Joe Cocker hit "I Can Hear the River"

later he moved to the court of Munich of King Maximilian I

His Compositions are private rather than public music: like introspective chamber or solo compositions instead of the more strident

2: The Originals and will feature unreleased demos and rare tracks

"Bluegrass emerged fifty years after New Orleans' hot music as mountaineers' answer to jazz

two days in the studio

shitstorms

"What a beautiful task to translate the scent and character of tea into music - into sound

the self-proclaimed 'bad boy of music'

Hiroshima mon amour is a moody masterwork that delicately weaves past and present

and original sound design accompanies the familiar Doctor Who theme from the BBC Radiophonic Workshop

and the two proceed into an alternately whimsical and despairing confessional on love