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Ollivier Pourriol - Philosophie de la Musique Et Du Chant
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Ollivier Pourriol - Philosophie de la Musique Et Du ChantWhy did Socrates, on the eve of his death, decide to start playing music? Why is beautiful music often sad? Why is this sadness also a consolation? Why do we always hope that music is able to make us better if we listen to it? And above all, why does music have so much power over us, why is it able to upset us from top to bottom while, literally, it means nothing and has nothing to say? Based on the analysis of Jankelevitch, Hegel and Alain, we will
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the clarinettist Paul Meyer
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Ustvolskaja/ Baryshevskij - Piano Sonatas 1-6
but in his case particularly evident) is the extraordinary mobility in all of the voices
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