Mojave 3 - Ask Me TomorrowReleased in October 1995, Ask Me Tomorrow could have easily been the fourth Slowdive album, sounding like an acoustic deconstruction of the groups early recordings, still dreamlike and ethereal but recontextualized by discernible lyrics and a country folk aesthetic. We put quite a lot of reverb on the vocals, Neil recalls of the primitive recording style, and because we were all in one room recording straight to tape, there was a lot of bleed, it made

who made widescreen post-pop that ached with longing for resolutions that seemed to be just over the horizon

When they really relax

Solo bedroom-pop project of Michael Ramos (Flowertown

and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect

gladly inform any tabloid journalist where he got the idea for Devil Behind That Bush and we could realistically not be talking George here

The Cramps Inc

this informal collection of intimate home-studiorecordings is even better

composing sumptuous and wildly original music that teems with ideas and more than delivers on the promise of its predecessor

Over twinkling piano

Her latest book RE-SISTERS and the score she wrote for Caroline Catz’s film Delia Derbyshire: The Myths and Legendary Tapes are acknowledged

Genre: electronic

A temporary shared hallucination