Richard Youngs - BeliefYoungs recorded the album in his hometown, Glasgow, as a cycle of chamber songs, a 21st century update of the solo album one musician playing all the instruments in a small one room set up. The album itself began with Youngs collecting his own percussion samples: from handclaps, a battered old cymbal, an extractor fan vent, FM radio interference, cassette hiss and a kick from a disastrously 80s sounding drum machine. These were then used to programme

lounge and timeless pop music

It was a lot to take in

and "I Ain't Mad at Cha

rarefied and elegant

sexual liberation

it doesn‰۪t fetch unfathomable collector fees

a Wurlitzer electric piano in a jam

And that's exactly why 'Appetite for Destruction' is such a powerful record - not only does Rose have fears

' 'Evil Son' and 'Thee Alarm' straight through your reptilian brain and into the sweaty crowd behind you

Tenacious' Lenker on bass

forcing creativity to meet financial deadlines

When The Distillery